Sunday, March 27, 2011

Variety With Identity is Possible





I've been interested in how I can begin to tell a narrative over a series of images for a while now; this is some work I made recently about looking at the same thing from three different points of view; playing on distance, from the microscopic to the epic. I'm looking at how it's possible to isolate something in a single image when it is supported by a sequence, while trying to get the biggest number of things from the smallest number of elements.

Variety with identity is possible, discussed by Peter Nencini.